Quit your job, become a projectionist

Article in Time Out.

Admittedly it's easy to be critical, but I'm really not sure about the inelegant job title "technical services technician". Or the hours. Or the prospects. The quoted pay seems pretty optimistic too ...

Fame (and fortune?) at last as 15-year-old OFU film makes the news

Article on local radio station 96.4 Eagle's website with accompanying OFU footage.

Super-8 is back

Against all the odds, Kodak - which went bankrupt as recently as 2012 - has announced that it's "reviving" Super-8 cameras and film. Kodak's got a press release from CES 16 and here's the Super-8 Revival product page. They've also lined up a load of top Hollywood directors to sing the praises of this "analogue renaissance".

It appears that the camera will have built-in audio recording to SD card. When you send off your reel of exposed film for processing, Kodak will return it to you in digital form with the soundtrack synchronised.

Returning to the Guardian article in the first link, commenters seem reasonably split over whether this is a good idea or whether it is simply pandering to hipsters. At issue: can you do something with analogue film that you simply cannot do with digital? Years ago, I'd have thought this was a brilliant idea - shooting on OFU's 8mm and 16mm cameras brought an implicit level of professionalism that mucking about with a camcorder could never have achieved. But the convenience, cost and quality of digital makes me doubt this. Should we not be spending our creative efforts on the actual creative process, rather than simply selecting a tool for the sake of nostalgia?

Arthouse cinemas are facing the last picture show

Article by the Telegraph's chief film critic arguing that the Competition Commission has made a significant error in its handling of the acquisition of Picturehouse by Cineworld. It's comparatively rare to read a story in which a big company taking over a smaller, independent one is considered to be a good thing, but it's a compelling argument that Cineworld understands Picturehouse well enough to preserve its ethos - and its loyal audiences.

Leonard Maltin: "If you don't care about running a cinema business, go and open a fast food restaurant instead"

Video rant on YouTube and brief transcript extracts c/o Indiewire.

The screen is silver, but the seats are gold

AMC Theatres - best known in the UK as the operator of the country's first multiplex at Milton Keynes, although their business here has been rocky - has started to refit its cinemas with spacious premium seating. According to the New York Times article, this involves reducing theatre capacity by 64%, yet may still make economic sense for the company.

Mark Kermode: "Give us proper cinemas"

Mark Kermode in the Radio Times stating, clearly and concisely, what many of us have known for some time - that going to the cinema ain't want it used to be. Hat-tip to OFU alumnus Matttew for spotting and Tweeting.

Photos and memories of film projection

Gizmodo republishes some photographs of projection booths in the final days of film. There are a few nice comments from former projectionists below the article.

The photographer is Joseph Holmes.

University of Surrey Management School lecture theatre

Today I finally saw inside the Management School lecture theatre. Remember the one? The theatre that the university offered to OFU in place of LT-G but which was turned down, without consultation, by USSU on our behalf? Yes, that one.

It's nice. I think we'd have been very lucky to have it and we'd have been happy there.

It's spacious and comfortable. It has three digital projectors although not mounted in a way that would lend itself to a hacked, twenty-first century facsimile  of a Cinerama screen.

The two side projectors are ceiling-mounted with their own retractable screens. The central Christie projector lives inside a small booth. It projects straight onto the front wall of the theatre. The image size is limited by six grills in the wall which are presumably for front centre and stereo sound. The theatre is  generously equipped with surround speakers. There is also a small theatre-style lighting rig.

In all, I'm quite impressed. There would be issues for the busiest film showings with patrons sitting in the front wings but we had the same problem of sight lines in LT-G; it's designed as a lecture theatre primarily, after all.

Why the Switch to Digital Projectors Means the End of the Small-Town Movie Theater

Article in The Atlantic Cities. Somewhat inevitably, small-town cinemas in the US are struggling with the costs of switching to digital. Nothing here we couldn't have guessed / foreseen, unfortunately, although some of the survival strategies (crowd-funding under the banner "Go Digital or Go Dark"; pooled resources between independent operators) are novel.

Similar article in NY Times.